Monthly Archives: September 2012

Amores Interruptus; or how to accidentally write a lesbian romance


Amores Interruptus

Ah, romance: An appraising look, definite attraction, hearts beating faster when they touch….and then suddenly in love. Hmm, that sounds a bit…interruptus, no? Where are the lingering feelings, the many touches, that delightful stage between just-met and in-love where the couple can’t stop thinking of each other and find themselves smiling for no reason? I didn’t have the answer.

All of my m/f romance sub-plots seemed shoved to the side, hidden behind all the action and politics and general stabbiness in my stories. I write fantasy, science fiction, and horror. I didn’t have time for romance. There were creatures to fight, morals to be greyed out, limits to stretch. Who had time for kissing scenes?

And then, well, I sort of tripped and wrote a lesbian romance. M/F romances are fine, nothing wrong with them. I quite enjoy them when I encounter them in spec fic. But I felt like I had done them, lived them. I wanted to explore something new, and my new ladies in love practically jumped out of my head and demanded to be heard.

I knew Katya and Starbride, the protagonists of The Pyramid Waltz, would be lovers from the very first time I conceived of them. I just had to get them there. When I started writing their fantasy novel full of action and stabby politics, I fully expected to gloss over their relationship. Maybe I would write them as a couple from the beginning of the story, past the nervous-belly stage and into the mature, love-before-bed stage.

But then I found I didn’t want to fast-forward them. I wanted to linger over every glance, every thought, every touch. I wanted to explore what was, for me, the unexplored. I wanted to write a fully-realized romance that shares main-plot duty with all the stabbing. I had two women in love, and I couldn’t just get over that love. I wanted to savor it as much as they did.

Does that sound dirty? Good.

Writing this book has made me rethink romantic interludes as a whole. I enjoy writing about relationships, romantic or otherwise, and people enjoy reading about them. From this point on, I think my m/f romances will be more fully developed, more like Katya’s and Starbride’s, or like an m/m subplot I once wrote in a science fiction piece. Hmm, maybe I’ll dig that out of the drawer instead.

Whatever gets everyone’s motor running. ^_^

The Pyramid Waltz
To most, Princess Katya Nar Umbriel is a rogue and a layabout; she parties, she hunts and she breaks women’s hearts. But when the festival lights go down and the palace slumbers, Katya chases traitors to the crown and protects the kingdom’s greatest secret: the royal Umbriels are part Fiend. When Katya thwarts an attempt to expose the king’s monstrous side, she uncovers a plot to let the Fiends out to play.

Starbride has no interest in being a courtier. Ignoring her mother’s order to snare an influential spouse, she comes to court only to study law. But a flirtatious rake of a princess proves hard to resist, and Starbride is pulled into a world of secrets that leaves little room for honesty or love, a world neither woman may survive.

The Pyramid Waltz is available in print or e-book form from Bold Strokes Books.

Bio: Barbara Ann Wright fantasy and science fiction novels and short stories when not adding to her enormous book collection or ranting on her blog Her short fiction has appeared twice in Crossed Genres Magazine and once made Tangent Online’s recommended reading list. She is a member of Broad Universe and the Outer Alliance and helped create Writer’s Ink in Houston. The Pyramid Waltz is her first novel.


Why I love historical fiction


This isn’t going to be an annotated scholarly work on the Troubadours, and 12th century Occitanian culture, but I thought that I might share some interesting tidbits from my current research.

I’ll start off with something you might not know- Richard the Lionheart was, in all probability, gay. And so was his next-youngest brother, Geoffroy. And they both probably slept with the king of France. Which, any ardent student of medieval history probably knows, but it was news to me when I started researching my current wip. All I was looking for was the chance that troubadours had expressed homosocial desire… Which is much harder to find than I had thought.

A 17th century royal portrait of Richard I




However, all was not lost. I ordered a book called Listening to the Sirens (see below), and there were a few pages dedicated to a troubadour by the name of Arnaut Daniel… who was, possibly, maybe, if you took some of his lyrics a certain way, gay. The evidence is compelling when you look at it, but, you have to be sensitive to the subtext.

Arnaut Daniel was the premier poet and troubadour of his age (and many that followed), and he invented an insanely complex poetic form called the ‘sestina’. He also liked to use obscure language that had multiple meanings



Arnaut tramet son chantar d’ongl’e d’oncle          Arnaut sends forth this song of uncle and nail

a Grant Desiei, qui de sa verj’a l’arma,                    to Great Desire, which of his rod holds the soul,

son cledisat qu’apres dins cambra intra.                 a framework-song which, learned, the room enters.

Dezirat was the nickname of both Arnaut Daniel and Bertran de Born. It’s true, that the object of desire (ostensibly a noble lady) was quite often given a masculine code name (senha), but that doesn’t actually make it any clearer. There are quite a few words that he uses which could go either way – ver(g/j)a meant virgin, rod, branch, sceptre, and penis, intra meant to penetrate or to enter, and cambra had the double meaning of chamber and vagina. Uncle meant both a literal Uncle, and an older man who was a protector.  I have included a link to a good English translation below. If you read through it you’ll see what I mean. This was a naughty, naughty song.

Dante Alighieri includes Arnaut Daniel in his Divine Comedy in the section on Purgatory. The troubadour was apparently spending time there with all the other lustful hermaphrodites (ie. Men who enjoyed the passive side of of sodomy due to their feminine natures). Dante seems to have thought that quite a few men of letters ended up there, including a number that he knew personally and admired.

In the 12th century they didn’t really have a classification for people who were anything other than heterosexual. Any desires which deviated from the ‘norm’ were considered sin, although there were various gradations of it. If someone had sex with someone of the same gender in a consensual fashion it was considered to be a form of greed on par with charging too much interest on a loan… as long as it wasn’t done too often. If one went around raping people it was much worse to do it to someone of the same gender, and would probably send the perpetrator to hell.

As with all things in European society, the punishments and fears got greater as time wore on. By the 15th century it wasn’t a good idea to be anything different at all, including a leper, Jew, woman (of any kind, but especially an intelligent one), have a severe learning disability, or have any physical deformity (like moles, which were called ‘the kiss of the Devil’- I would have been burned at the stake for sure, since I look a bit like a negative Milky Way and I just can’t help giving people the dubious benefit of my opinions).

History is fabulously fascinating, and half of the joy of writing historical fiction is discovering a context to place the characters in. Also, knowing more about history can make your fantasy worlds more robust- you can cherry-pick elements to add depth.

I don’t know how long it will take me to write the story of Isodard and Berengar, but hopefully once I get everything set up it will flow like hot butter (and not molasses in January, which is my usual writing pace).


This is supposedly a portrait of Arnaut Daniel (Bibliothèque Nationale, MS cod. fr. 12473)

Works From Which I Got Some Good Tidbits And You Might Like To Read As Well:

Peraino, Judith A. Listening to the Sirens: musical technologies of Queer identity from Homer to Hedwig. University of California Press, Los Angeles, 2006.

Boyle, David. Blondel’s Song: the capture, imprisonment and ransom of Richard the Lionheart. Viking, Toronto, 2005.

Accessed on September 14, 2012





Jennifer Thorne has just recently published a contemporary novella called A Road Not Taken with Samhain Publishing.